LIF(E) – Jasmine Azizah
Since ancient times, humans have been compelled to live honestly. Living honestly is not always easy. Humans sometimes find themselves trapped in situations that demand them to conceal the truth. This can stem from environmental pressures, social expectations, or even personal discomfort. Despite knowing that these lies only result in fleeting comfort, humans sometimes choose to embrace them to maintain a better self-image.
CHOICE IN TIME – Nadir Muhararan
It started with my personal closeness, so can this film also be close to the audience? What I felt in the film can also be felt by the audience here using the medium of motorbikes, taking shots with an action camera on a motorbike, making installations of motorbikes and projectors which are stored in headlamps and helmets with an intercom or Bluetooth speaker attached.
HUMAN SIGN – Alim Alghani
A signature is not just a stroke but a symbol of meaning that connects people, especially in a family context. In addition, meaningful items such as family heirlooms or treasured objects also play an important role in marking attachment and shared history with those closest to you.
FINDING ME IN SHAPE AND COLORS – Aghnia Nainawa
KALA KILA – Studio TV FTV-UPI
Kala and Kila is a puppet-based children’s program that tells about the daily activities of the twins Kala and Kila and their friends. The narratives and visuals presented in educational and interactive programs, the Kala and Kila programs aim to encourage children to develop social and social characteristics, sharpen logic and insight, sensory and motor skills from an early age.
MEN IN ALISA’S WONDERLAND – Hasna Hanafi
talking about how in this digital age we as humans there is no safe privacy, whatever we do is watched by a higher point
THE WATCHER – Hisyam Zaini
talking about how in this digital age we as humans there is no safe privacy, whatever we do is watched by a higher point
TO THE MOON: A STORY FROM THE SOUTH – Dava Gibran
Post-colonial critics on segregation in Bandung City that make the perspective about social, environment and race inequality between the north and south area that presented in 2D Digital Animation Full-Dome Format.
MANG ANG UNG – Aji Surya
The world ‘in the beginning was empty/void’ Then from there, Rama Adam and Mother Hawa were created and their descendants gave birth to the Sundanese people. The Sundanese people were created from will, thought, and power, and from these three patterns, they created humans who were grateful for nature (Water, Earth, and Stone). Humans became intermediaries between Water and Stone, possessing the mind and power to manage both. This concept of triad became humans as a uniting force yet also separating. MANG ANG UNG will critique modernism, which has changed the meaning of traditional Sundanese life. Sundanese people no longer care for their land, no longer respect nature and its creator. They are blinded by the rationality of time, although rationality itself was created by them without considering the consequences. Forests are cleared for uninhabited concrete, rivers are polluted, and their relationships deteriorate. All of this is because of modernity! Using a Postmodern perspective, which formally deviates from conventional forms. Experimentation with Night Vision cameras opens up opportunities for a new cinematic form. Here, light can be captured through the reflection of infrared sensors scattered, but cannot be captured by the naked eye. Therefore, the filming will entirely take place in locations with natural nighttime (dark) lighting, in which conventional lighting is no longer needed
FINDING ME IN SHAPE AND COLORS – Aghnia Zahra
Instead of covering and making me lose my color, the various forms I received along the way turns out to be the things that shaped the person I am today.