RETICENT TIES – Farhan Abyan
An experimental work that delves into the memories of a young child through a blend of non-linear narrative, visual abstraction and deep emotional atmosphere. This work takes the viewer through a series of fragments of memories that fly and drift, not bound by time or chronological order. Through visual play, this film invites the audience to immerse themselves in important moments in the life of this young child, while exploring themes of freedom of imagination, family warmth, and the journey of identity. This work is not just a film, but a sensory experience that evokes memories and feelings, creating an opportunity for each viewer to reflect on their own personal memories.
WHY ME? – Halimah Mimi
Experimentation in channeling feelings in the form of clay media. A work that represents the feeling of why a child who never asked himself to be born into the world must accept all the actions he previously committed (generation; parents, elders). This is a pressure and limitation for children, but it becomes a need and obligation to be accepted and live life.
FINDING ME IN SHAPE AND COLORS – Aghnia Nainawa
HUMAN SIGN – Alim Alghani
A signature is not just a stroke but a symbol of meaning that connects people, especially in a family context. In addition, meaningful items such as family heirlooms or treasured objects also play an important role in marking attachment and shared history with those closest to you.
KALA KILA – Studio TV FTV-UPI
Kala and Kila is a puppet-based children’s program that tells about the daily activities of the twins Kala and Kila and their friends. The narratives and visuals presented in educational and interactive programs, the Kala and Kila programs aim to encourage children to develop social and social characteristics, sharpen logic and insight, sensory and motor skills from an early age.
MEN IN ALISA’S WONDERLAND – Hasna Hanafi
talking about how in this digital age we as humans there is no safe privacy, whatever we do is watched by a higher point
THE WATCHER – Hisyam Zaini
talking about how in this digital age we as humans there is no safe privacy, whatever we do is watched by a higher point
TO THE MOON: A STORY FROM THE SOUTH – Dava Gibran
Post-colonial critics on segregation in Bandung City that make the perspective about social, environment and race inequality between the north and south area that presented in 2D Digital Animation Full-Dome Format.
MANG ANG UNG – Aji Surya
The world ‘in the beginning was empty/void’ Then from there, Rama Adam and Mother Hawa were created and their descendants gave birth to the Sundanese people. The Sundanese people were created from will, thought, and power, and from these three patterns, they created humans who were grateful for nature (Water, Earth, and Stone). Humans became intermediaries between Water and Stone, possessing the mind and power to manage both. This concept of triad became humans as a uniting force yet also separating. MANG ANG UNG will critique modernism, which has changed the meaning of traditional Sundanese life. Sundanese people no longer care for their land, no longer respect nature and its creator. They are blinded by the rationality of time, although rationality itself was created by them without considering the consequences. Forests are cleared for uninhabited concrete, rivers are polluted, and their relationships deteriorate. All of this is because of modernity! Using a Postmodern perspective, which formally deviates from conventional forms. Experimentation with Night Vision cameras opens up opportunities for a new cinematic form. Here, light can be captured through the reflection of infrared sensors scattered, but cannot be captured by the naked eye. Therefore, the filming will entirely take place in locations with natural nighttime (dark) lighting, in which conventional lighting is no longer needed
FINDING ME IN SHAPE AND COLORS – Aghnia Zahra
Instead of covering and making me lose my color, the various forms I received along the way turns out to be the things that shaped the person I am today.