MAN IN BLACK – Kinandhi Ibrahim
Telling about someone who is black is often underestimated by many people. This black skin affected life and was even bullied in his time. Things that affect from the environment, work, to romantic relationships. This discrimination causes a sense of confusion, unrest, and unease in living this life
MERGING REALMS – Octavianus Dimas
This experimental work develops the emotional struggle of humans intimately connected to technology through the use of innovative cinematography and experimental sound effects, creating an atmosphere that advances deep reflection on human identity and change in the digital age.
FAMILY FROM A DIFFERENT MATRIX – Rahadian Navanka
Transfering an archive medium into a handheld gaming device that projects a large number of archive images. Using several devices, each device displays a different narrative experience. Work that talk about other worlds in other matrix, is the world we live in the only world? Are there other worlds with other forms out there?
TRY TO IMAGINE – Reihan Naufal
Talking about the process and freedom of a film editor who always imagines freedom in his work because he has the freedom to determine a story.
NAWA LIFE – Reza Pahlevi
Why should animals be eaten? Does the lack of an emotional connection make humans indifferent to slaughtered animals? If an emotional bond is formed between humans and animals, will people still consume animals?
I’M CONFUSED – Rizky Ridho
This work delves into the human quest for the essence of one’s life, navigating the dilemma of social issues, empathy, sympathy, the environment, morals, beliefs, and resistance. It relates to the relevance of oneself in the ever-improving or possibly deteriorating modernity. Right or wrong is a matter of different perspectives. The concept of human causality in the world is worth questioning. But will this story conclude within this work? Like life that never ends, this piece is merely an allegory representing individuals’ grievances, especially my own. The context of freedom seems broken within empty rules.
CHOICE IN TIME – Nadir Muhararan
It started with my personal closeness, so can this film also be close to the audience? What I felt in the film can also be felt by the audience here using the medium of motorbikes, taking shots with an action camera on a motorbike, making installations of motorbikes and projectors which are stored in headlamps and helmets with an intercom or Bluetooth speaker attached.
MOTHER’S COOKING – Anisah Rizki
Masakan Ibu menciptakan pengalaman sensori yang membentuk kenangan mendalam. Hidangan-hidangan khas yang disiapkan oleh Ibu seringkali membekas dalam ingatan, membawa kehangatan, dan menjadi sumber energi terbesar. Setiap rempah yang tertuang dan bumbu yang diracik oleh tangannya adalah representasi dari cinta dan kasih sayang seorang Ibu tanpa perlu mengungkapkannya secara verbal.
HUMAN FRAGILITY IN THE BODY OF CINEMA – Annisa Faradila
The human body stores memories and emotions through physical and emotional responses influenced by the environment, from society’s temperature. Similarly, the celluloid film body of cinema also stores memories. The emotions embedded in celluloid can fade and be deterred, just like society and conditions can affect human beings. The body of the human body, the development of cinemas equivalent to the theme of humanity, and cinema memories are also human memories that are an embodiment of the human body. “Presinematic Emotions are similar to Preserving Human Emotions”
CHRONICLES OF COSMOS – Azlin Faqih
Integrating the wonders of the macrocosm, the intimacy of the microcosm, and the complexity of humanity through the lenses of physics and natural sciences. Presenting a narrative that interconnects galaxies with the subatomic world, challenging viewers to contemplate their role in the larger cosmic order to the minutest scale.