CHOICE IN TIME – Nadir Muhararan
It started with my personal closeness, so can this film also be close to the audience? What I felt in the film can also be felt by the audience here using the medium of motorbikes, taking shots with an action camera on a motorbike, making installations of motorbikes and projectors which are stored in headlamps and helmets with an intercom or Bluetooth speaker attached.
MOTHER’S COOKING – Anisah Rizki
Masakan Ibu menciptakan pengalaman sensori yang membentuk kenangan mendalam. Hidangan-hidangan khas yang disiapkan oleh Ibu seringkali membekas dalam ingatan, membawa kehangatan, dan menjadi sumber energi terbesar. Setiap rempah yang tertuang dan bumbu yang diracik oleh tangannya adalah representasi dari cinta dan kasih sayang seorang Ibu tanpa perlu mengungkapkannya secara verbal.
HUMAN FRAGILITY IN THE BODY OF CINEMA – Annisa Faradila
The human body stores memories and emotions through physical and emotional responses influenced by the environment, from society’s temperature. Similarly, the celluloid film body of cinema also stores memories. The emotions embedded in celluloid can fade and be deterred, just like society and conditions can affect human beings. The body of the human body, the development of cinemas equivalent to the theme of humanity, and cinema memories are also human memories that are an embodiment of the human body. “Presinematic Emotions are similar to Preserving Human Emotions”
CHRONICLES OF COSMOS – Azlin Faqih
Integrating the wonders of the macrocosm, the intimacy of the microcosm, and the complexity of humanity through the lenses of physics and natural sciences. Presenting a narrative that interconnects galaxies with the subatomic world, challenging viewers to contemplate their role in the larger cosmic order to the minutest scale.
A SYMPHONY IN TOUCHES OF MEMORY – De Luna Mumtaz
The bond between body and memory that influence the color of human.
A BOOK FROM GOD GIFT – Dimas Juni
Reminiscing about the time when father and mother were married in the past as a response from the child
FINDING ME IN SHAPE AND COLORS – Aghnia Nainawa
HUMAN SIGN – Alim Alghani
A signature is not just a stroke but a symbol of meaning that connects people, especially in a family context. In addition, meaningful items such as family heirlooms or treasured objects also play an important role in marking attachment and shared history with those closest to you.
MANG ANG UNG – Aji Surya
The world ‘in the beginning was empty/void’ Then from there, Rama Adam and Mother Hawa were created and their descendants gave birth to the Sundanese people. The Sundanese people were created from will, thought, and power, and from these three patterns, they created humans who were grateful for nature (Water, Earth, and Stone). Humans became intermediaries between Water and Stone, possessing the mind and power to manage both. This concept of triad became humans as a uniting force yet also separating. MANG ANG UNG will critique modernism, which has changed the meaning of traditional Sundanese life. Sundanese people no longer care for their land, no longer respect nature and its creator. They are blinded by the rationality of time, although rationality itself was created by them without considering the consequences. Forests are cleared for uninhabited concrete, rivers are polluted, and their relationships deteriorate. All of this is because of modernity! Using a Postmodern perspective, which formally deviates from conventional forms. Experimentation with Night Vision cameras opens up opportunities for a new cinematic form. Here, light can be captured through the reflection of infrared sensors scattered, but cannot be captured by the naked eye. Therefore, the filming will entirely take place in locations with natural nighttime (dark) lighting, in which conventional lighting is no longer needed
FINDING ME IN SHAPE AND COLORS – Aghnia Zahra
Instead of covering and making me lose my color, the various forms I received along the way turns out to be the things that shaped the person I am today.