TRY TO IMAGINE – Reihan Naufal

Talking about the process and freedom of a film editor who always imagines freedom in his work because he has the freedom to determine a story.

NAWA LIFE – Reza Pahlevi

Why should animals be eaten? Does the lack of an emotional connection make humans indifferent to slaughtered animals? If an emotional bond is formed between humans and animals, will people still consume animals?

RETICENT TIES – Farhan Abyan

An experimental work that delves into the memories of a young child through a blend of non-linear narrative, visual abstraction and deep emotional atmosphere. This work takes the viewer through a series of fragments of memories that fly and drift, not bound by time or chronological order. Through visual play, this film invites the audience to immerse themselves in important moments in the life of this young child, while exploring themes of freedom of imagination, family warmth, and the journey of identity. This work is not just a film, but a sensory experience that evokes memories and feelings, creating an opportunity for each viewer to reflect on their own personal memories.

WHY ME? – Halimah Mimi

Experimentation in channeling feelings in the form of clay media. A work that represents the feeling of why a child who never asked himself to be born into the world must accept all the actions he previously committed (generation; parents, elders). This is a pressure and limitation for children, but it becomes a need and obligation to be accepted and live life.

LIF(E) – Jasmine Azizah

Since ancient times, humans have been compelled to live honestly. Living honestly is not always easy. Humans sometimes find themselves trapped in situations that demand them to conceal the truth. This can stem from environmental pressures, social expectations, or even personal discomfort. Despite knowing that these lies only result in fleeting comfort, humans sometimes choose to embrace them to maintain a better self-image.

CHOICE IN TIME – Nadir Muhararan

It started with my personal closeness, so can this film also be close to the audience? What I felt in the film can also be felt by the audience here using the medium of motorbikes, taking shots with an action camera on a motorbike, making installations of motorbikes and projectors which are stored in headlamps and helmets with an intercom or Bluetooth speaker attached.

MOTHER’S COOKING – Anisah Rizki

Masakan Ibu menciptakan pengalaman sensori yang membentuk kenangan mendalam. Hidangan-hidangan khas yang disiapkan oleh Ibu seringkali membekas dalam ingatan, membawa kehangatan, dan menjadi sumber energi terbesar. Setiap rempah yang tertuang dan bumbu yang diracik oleh tangannya adalah representasi dari cinta dan kasih sayang seorang Ibu tanpa perlu mengungkapkannya secara verbal.